08 September 2009

Walt Disney World and the American Dream

This semester I'm going to be posting student work from last semester's American Identities course, specifically the identification projects of those students who wanted me to share their work with a wider audience. Here's the first of many, from leemattar.

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Walt Disney World and the American Dream


My story starts out a long ways from here, yet at the very center of what is "American." Walt Disney used stories and his created wonderland in order to emulate the "Perfect All-American Dream." Many people feel that Disney is fake, but what is the original American Dream? Especially now, when the American Dream is becoming less and less attainable, the original ideals of the American Dream are fading. The ability to fulfill your dreams and goals through hard work is not possible for the average American. As children, we have huge dreams for ourselves, but as we grow up we are forced to give up those dreams for reality. Disney World is a place where people can re-submerge themselves into their childhood imaginings. The family can come together and, for a time at least, feel comfortable and separated from their problems. Their movies transport us into the fantasy of our choosing for a few hours. Disney may be a fabricated place, but it's the lack of reality that draws people to it. It's the emulation of the American Dream and the desire to attain it that keeps us going back.

In the spring of 2007 I was able to do an internship for Walt Disney World. I experienced the Disney Difference first hand. The Disney Difference means going above and beyond expectations. We treat our visitors as though they are guests in our home. Our home is clean, friendly, and inviting. As a cast member, my co-workers were like my second family and my work location became my second home. We would fight and make up, we would share our lunches and swap jokes. I was completely caught up in my own personal Disney world. I had all of Orlando to play in and few responsibilities outside of work. Having to enter the real world again, when my internship was over, was a bit of a struggle. I had to remind myself that I was no longer in a fantasy world where everyone was smiling. Here, I had responsibilities, meetings, and the constant flow of work to deal with. The memories I have from those seven months away have carried me through ruff moments. I can think back to the fireworks, to the laughter with friends, and the magic carpet rides. Those memories help me to smile and to keep going.

Today, people are struggling to keep their heads above water; they are dealing with angry bosses and demanding families. Walt Disney found ways to help people escape from their own lives and into his creations. When people enter the Magic Kingdom they have to take a boat or a monorail; driving in off the street is not an option. They are crossing the boundary between reality and fantasy. Once they pass the friendly ticket collectors they are greeted by the sight of a grand castle and are able to get their pictures taken by a smiling Cast Member. From there, the guest can choose what land he/she wants to visit first. They can visit the Land of Tomorrow where one can become a part of innovations and creations of new technologies. They can choose to visit Liberty Square and listen to the past presidents speak once again. In Frontierland, guests can go on adventures such as chasing run-away trains. Fantasyland has always been a favorite, with classics such at the Spinning Teacups and It's a Small World. Guests can choose to fly like Peter Pan or take part in Snow Whites Adventure. Disney offers those who visit many opportunities to escape reality.

Walt Disney wanted those who visited his park to be completely submerged into his created reality. In his world, everything is clean, everyone is happy, and family is highly valued. This is the kind of world we all strive for. The American Dream has typically been to be able to own a clean house with a trimmed yard, a white fence, and a supportive family. In reality, most people never achieve this version of the American Dream. They struggle to keep their heads above water and fewer of us have yards we can trim. Disney represents the America we wish we had. Every little boy is a pirate and every little girl is a princess. There are surprises and adventures to be found around every corner. Every movie has a happy ending. In actuality, our lives are monotonous, and children have been known to lie on the floor screaming. Happy endings are few and far between, life is more difficult, and animals are not as willing to help us when we are running from wicked stepmothers. We know all these things, but we continue to show our children the movies and go to the theme parks. Feeling like we are a part of an achieved American Dream is important to us and that’s why we continue.

Walt Disney was a man who successfully created his own American Dream. He had to work his way up and overcome many obstacles. He had a family to support and he wanted his children to be able to play in a clean and friendly environment. He also wanted it to be affordable and family oriented. Disneyland and Disney World have raised their prices quite a bit since their opening of Disneyland in 1955, and the following opening of Disney World in 1971. Yet they continue to find ways to entice millions of people to visit every year. The public dedications to all the Disney theme parks have started with: "To all who come to this happy place--welcome" (Disneyland Park (Anaheim)). At the Magic Kingdom in Disneyland, Walt continues, "Disneyland is your land. Here age relives fond memories of the past and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America…" (Disneyland Park (Anaheim)). This quote is crucial to understanding how America and Disney Resorts are related. Everyone is welcome, whites, blacks, Americans and Non-Americans. Disney’s Magic Kingdom takes us back to the days for our grandfathers, or what we consider "the good-old-days." Disney hands over his creation to those who will enjoy it. When immigration first started into the United States, it was seen as the land for everyone. Our Statue of Liberty says, "Give me your tired, your poor, your huddled masses yearning to breath free…" (Lazarus). These statements both represent the idea of people coming to a place to get away and to be free. At Disney, one becomes a part of the happy atmosphere there and is free of their normal routines, for a time at least. Many who came to America through Ellis Island often came to escape an old life and to take advantage of new opportunities. The problems with this is that one cannot stay at Disney World forever, and in America, many immigrants had to face discrimination and poverty. But people continue to come to the United Stated for the opportunities it promises to offer, just as people will continue to go to Disney World to have experiences they cannot get anywhere else.

Disney World invited people of all backgrounds to come and enjoy its resorts. This includes the Cast Members as well as the guests. In the United States we value diversity and Disney is sure to have one of the most diverse work environments. Animal Kingdom and the World Showcase in Epcot try to imitate the places they are representing. They did this by bringing people from the represented countries to work in the simulated countries. Many of the international students I worked with were from Indonesia because I was stationed in "Asia." When I asked them about why they were doing the internship and the overwhelming answer was that this was one of the only ways for them to easily get into the United States and to have American work experience on their resumes. One of the girls I knew decided to get married to an American friend so that she could stay in the United States after her internship was over. I was surprised that she was willing to leave her home and marry a man she had only known for a few months in order stay. I know that people have done much more extreme things in order to live in the United States, but I had never experienced it firsthand. Here, she saw a place for endless opportunity and financial success that she probably would not have back in Indonesia. Disney offers its employees many opportunities to move up in the company, as long as you show devotion and a good work ethic. The United States is seen as a place where people can work hard and give up a few things, and in turn, gain a slice of the American Dream. That dream drives people and it's a part of what makes Americans unified.

Often, we think people who live outside the United States to be more interesting and exotic. I think we forget that there are many different cultures right here in our own back yard. Besides working with people from around the world, I met and lived with people from all over the United States. One might say that people who live in our own country couldn’t possibly be that interesting, but I learned so much from those friends. I found out about lifestyles, values, and practices that are completely different from my own. One such friend was from Arkansas. His family lived in a double trailer, his family worked on a carnival over the summers and preparing food at a racetrack over the winters. His stories would amaze me. I couldn’t imagine living how he and his family did. I live in the suburbs of Buffalo, in a two-story house, with a say at home mother, and a business-owning father. I spend my summers visiting family and working summer jobs. Our lives were so different, but we are both Americans. Jan Radway argues that "American national identity is…constructed in and through the relations of difference" (Gruesz, 21). America--in this case we are talking about the United States--was created out of people who were different. Some wanted religious freedoms, some wanted adventure some were looking for economic relief, and others were forced out of their homelands. Today, our nation prides its self on being a melting pot. It's our differences that help us to be a strong nation. It's our common goals that hold us together; those goals being life, liberty and the pursuit of happiness. Not everyone can attain those goals but it's our desire for them the keeps us unified. We are connected to and learn from the people around us. At Disney World, our goal is to create a cheerful environment that encourages guests to live out their dreams. We are able to do this through our differences. Every cast member has something to bring to the table. Some can speak multiple languages and can communicate easily with guests that do not speak English. Some are great with people and know how to explain situations to the guests. They give just the right amount of information while using the correct voice tones and inflections. Some are creative and are always coming up with new ways that we can be more efficient. We all have different personalities and ways of thinking about things that may clash once in a while, but we all want the same thing; to make a guest smile and to give their children memories that will last them the rest of their lives.

Disney wants their guests to be able to bring stories back that are filled with excitement and adventure. Stories are devices that have been used for centuries in order to pass down information and values from one generation to another. Oral stories were used to explain and teach, or often for entertainment at important events: "narrators told tales to bring members of a group of tribe closer together and to provide them with a sense of mission" (Zipes, 333). It was stories of the "Great West" that sparked young men's interest. It was tales of gold and adventure that drew whole families to California. Stories make us excited, especially stories that are new. Manifest Destiny, our movement to the west coast, was enhanced by the stories told about it. When people from other countries, especially poor ones, think of America, they think of the stories they have heard. Huge homes, lots of money, fun technologies and the freedoms that many of us born American take for granted.

Stories change over time, especially the oral ones. Every time the story is told some small thing gets changed. Life is not static, so it makes sense that our stories will have different variations depending on who is telling it. The American Dream is just like a story. Our idea of it has changed over time, so that we can still believe in it. In a nation wide survey done in 2009 72% of people stated that they believed people could start out poor and work their way up in the United States (Seelye, 1). Americans still believe in an American Dream, but it has changed over the years, morphed into a different dream, but considered no less American. Today, “fewer people are pegging their dream to material success and more are pegging it abstract values” (Seelye, 2). Some of these are being able to live your own life, having a fair chance to succeed, having a healthy family and nice friends, owning a home, and having financial stability (Seelye, 2). None of these mention being rich, but talk about being able to get by and not having too many financial worries. They talk about good friends and a loving family. This is what Americans in the United States want. Disney is able to give people that. Many people believe in the American Dream but, according to polls, only 44% feel that they have reached it (Seelye, 1). For the rest, Disney is a place where one can experience their personal dreams and take the memories back with them. Disney's idea of the American Dream has remained constant over the years, being able to be with your family and surrounded by helpful people who want to be sure your stay is magical.

Walt Disney had been a key player in story telling over the years. He was a creative man with grand ideas that he wanted to share with the world. His innovations led to the first full-length animation films.

Disney was a radical filmmaker who changed our way of viewing fairy tales, and that his revolutionary technical means capitalized on American innocence and utopianism to reinforce the social and political status quo. His radicalism was of the right and the righteous. The great "magic" of the Disney spell is that he animated the fairy tale only to transfix audiences and divert their potential utopian dreams and hopes through the false promises of the images he cast upon the screen; (Zipes, 333)


Americans have always dreamt of a utopian society, where everyone gets their fair opportunity. We like stories where the unfortunate end up on top. This is what Disney provides. We look at moves such as Snow White and the Seven Dwarves. A young girl escapes death, meets some dwarves who help her out, then she find her true love after being poisoned by her evil stepmother. He uses what Americans know and combines it into what we want in an artistic and creative way. We know that people are labeled and ranked according to the status society gives them. Cinderella, for example, is shown as a young girl who is abused by her stepfamily. She is a poor women, which, at one time would have made her extremely low in the social hierarchy. We like to see the underdog win and those who were the suppressers punished. Cinderella, with the help of her fairy godmother, was able to meet her prince and have her happy ending after much struggling. Her stepfamily is distraught because none of them were able to marry the prince.

Disney Americanized the original tales. Many of the happy endings we find in his versions of the stories don't exist in the originals. Americans don't want the sad endings; they want to feel that anything is possible and that your dreams are always achievable. This is one of the reasons Disney films did and continue to do so well. It's important to remember that every story is the teller's version of it. We often forget because Disney's versions of the stories are on a big screen, they are visual; we can hear them and we are pulled into them. We feel for the characters and we can see the build up of their identities as they change from the beginning till the end. People are more likely to believe something they see on the television or at the moves than something they are told. When the original films were first projected, people in the audience were scared and screamed when they saw trains coming at them. We make movies real and internalize them. The art of story telling is slowly dying. The original stories do not matter anymore because we do not remember them. I wonder if the original idea of the American Dream will matter after a time. As people's circumstances change they are forced to change what they want out of life.

Fairy tales and stories are not just for children. They are for anyone who feels that they need to be connected to something larger than themselves. Alys Eve Weinbaum states that "nations need narratives to exist – that they need to be narrated into being" (Weinbaum, 168). A nation is created by its people and by their commonalities. We learn about other people through stories, and we become connected to people by knowing their stories and passing them on. I think it is important to teach our younger Americans about stories, and to be sure that they recognize that the Disney versions of stories are romanticized versions that reflect what we want America to stand for. Stories are vices that allow us to get our points and feeling across to other people, they do not have to be true to do that. Disney was able to show his ideas of the American Dream through his stories, and had millions of people believing in a happily ever after. There are many who do not ever let that go, and that's one of the reasons, I think, that we are unified as a nation. We have the hope that Disney instilled in us. We want to beat down the suppressers and to finally reach our happy ending. We will continue to try and to move forward. This is what unites us. Our version of the American Dream may have changed but we still have a dream, we still have something to aim for.

It's important to constantly critique society, to re-examine our ideas and to continue to grow in our Identity. While I was working for Disney I had to completely change the way I viewed the world around me and re-think my self-identity as an American. I went to Florida as a naive individual who had few ideas about how the world worked and how our nation was viewed by others. I came home with a completely new attitude. I understood the struggles of the middle class worker, I knew how to talk to people without offending them, but most of all, I learned about how the American Dream has become an illusion. Those who fulfilled their dreams put in a great amount of time and energy in order to do so. It takes commitment and a drive to accomplish the goals that have been set out. Walt had clear goals and a passion for what he was creating. He has shared his hopes and dreams with us in order to help others believe that anything is possible. As Jiminy Cricket says, "If your heart is in your dream,/ No request is too extreme,/ When you wish upon a star,/ As dreamers do…" (Pinocchio). We need to have dreams, they give us something to aim for, something that we will want to continually reach for. Disney has instilled this idea into the hearts and minds of those in the United States and around the world.

Works Cited
"Disneyland Park (Anaheim)." Wikipedia. 8 May 2009. 6 May 2009 .

Gruesz, Kirsten S. "America." Keywords for American Cultural Studies. Eds. Bruce Burgett and Glenn Hendler. New York: NYU P, 2007. 16-22.

Emma Lazarus, "The New Colossus." American Studies @ The University of Virginia. University of Virginia. 07 May 2009 .

Pinocchio. Prod. Walter Disney. Disney Inc., 1940.

Seelye, Katharine Q. "What Happens to the American Dream in a Recession." The New York Times 8 May 2009.

Weinbaum, Alys E. "Nation." Keywords for American Cultural Studies. Eds. Bruce Burgett and Glenn Hendler. New York: NYU P, 2007. 162-70.

Zipes, Jack. "Breaking the Disney Spell." Classic Fairy Tales: Texts, Criticism. Ed. Maria Tatar. New York: Norton, 1999. 332-52.

09 March 2009

Tattoos: Art or Disaster

Research question:
Why do people get tattoos?

This question has been plaguing parents, sociologists, and everyday people for a very long time. Man-kind has been experimenting with body marking and body art for centuries. Egyptians, Romans, Native Americans and other ancient peoples have been using different forms of tattooing to symbolize or to bring awareness to something. It is my belief that people get tattoos for various reasons; but some common theories I have as to why people do this are for rebellious reasons, for self-expression, or to belong to a group. These are not the only reasons why people get tattoos but they are the reason I will be studying in this research question.
Editor Jane Caplan[1] also supports this idea of multiple reasons for tattooing. In her book, Caplan discuses the history of tattooing in many different Empires and cultures throughout history, she also helps support the idea that tattoos were used to symbolize something more than just body marks. Other authors such as Carrie Reed[2] and C.P. Jones[3] have studied the historical use of tattooing in Chinese and Roman culture. They also have come up with similar finds that tattooing was used for more that just body art. It was used to tell who a slave was and to identify people easier.
In approximately the last twenty years, there has been a new trend of people getting tattoos. It is the sixth largest business in the United States, and the majority of people getting tattoos are suburban women. This means that a large number of soccer moms are the ones “rebelling” and getting tattoos.
Women started to become more interested in tattooing in the 1960’s. In the United States during this time women and men were experimenting with drugs, sex, and other forms of self-expression. Tattooing was just another way for women to rebel against society. Traditionally, society had viewed tattoos has symbols of rebellious nature, only bikers[4] and prisoners would have them. In today’s society teachers, lawyers, and accountants have tattoos. They are respected members of the community and yet they still have tattoos. The stereotypical view of people with tattoos is so slowly disappearing. What has changed over time? Why are tattoos more accepted? Also, if they are in fact accepted does this mean that getting a tattoo is no longer a rebellious act?
In many cases we see that adolescents are trying to rebel against their parents and decide to get tattoos and body piercings. To them, this was the only way to gain some control in their lives and help their self-esteem. Lynne Carroll and Roxanne Anderson[5] have done various research on the affect of tattooing and body piercing on young adolescent girls. In this study, they found that adolescent girls were trying to not only rebel against their parents for more control in their lives but also because of this act of rebellion their self-esteem was affected.
Tattooing is also about control for many people, for rebelling is usually based on the lack of control someone has in their life. People tend to rebel because they want control whether it’s over their body, their life, or their society. They need to have power over something and having a say of what goes on your body definitely helps them. Tattooing is one of those things that you have complete control over because it is on your body and you decide what goes on it and what does not. This is why many women started to get tattoos, whether they are unhappy with their lives or not, this gives many of them their first taste of freedom and control outside of the home.
This idea of needing control and rebellious behavior from women is supported by the work that Christine Braunberger[6] has done about tattooing. In her study, she explains the perception women have about tattooing and the freedom that comes along with it. She describes tattooing for women as a rebirth into their natural beauty. Tattooing for women is more of an act of independents that helps them discovers themselves in all their glory. In addition, Braunberger also gives you the battle between the concepts of women with tattoos as beautiful or as a monster.
Then there is a whole other theory about tattooing, and it is a form of self-expression. This reason of self-expression is becoming a popular explanation for the increase in people getting tattoos. More and more people want to find outlets for their passions, religious beliefs, anger, sadness, happiness, etc. To them tattooing is a perfect way to express themselves. It is a great way to express many different emotions. It has become body art. There is a whole culture today that is all about tattooing. Many professional artists have tattoos and many tattooists are artist, their work is on peoples bodies and to them it is a living art. This culture is more than just tattoos and making money, to the tattooist and to the person getting the tattoo it is about so much more. It is about art, color, shape, emotion, remembering, honoring a loved one. They live and breathe tattoos. It is their way of life; however, whether it is an obsession or devotion is another question.
This notion of tattooing as a culture is actually true. Culture does not have to refer to a people of a specific place who speak the same language and have the same belief system. It can also be built on a common goal or desire; this is the case with the tattooing community. Margo Demello[7] actually takes the time to examine the modern day tattoo world and how it came to be. In her book she decides the community from the ground up; the background stories of tattooing, tattoos in today’s media, and the new meaning of tattoos. Her work is a vast study on tattoos in the new age and future of tattooing in America. And tattooing has become its own world; there are magazines, books, movies, national and state competitions and conferences that are all based around tattooing.
Another writer who adds to this theory of self-expression is Terisa Green[8], she takes it one step further and creates an encyclopedia for tattoos. This lends a hand to stating that tattooing is about self-expression and art. In her book she is trying to help others figure out some common meanings of tattoos so they are getting a tattoo that best fits them. Margot Mifflin[9] also looks at the meaning of tattoos in her book. She actually studies the history of tattooed women in circuses. She learns about the meaning of tattoos and freedom that the tattoos gave women in historical time periods where women weren’t allowed to be that expressive.
On the other side of self-expression some authors are studying tattooing in definitions of beauty. Robert Wicks[10] looks into the affect that tattoos have on beauty and whether or not face tattoos are accepted as beautiful. He also tries to put limits and restrictions on tattoos so people can remain acceptable in society. Corinna Wu[11] is another author who disagrees with this idea of self expression; her discussion is about the removal of tattoos due to regret and more. She is looking at tattoos in a different light, she looks at them as symbols of a rebellious youth and not as a well thought out plan. She believes adults will later come to understand the wildness of their younger years and see tattoos as a mistake.
A final explanation that I have come up with for why people get tattoos is to belong. In our simplest form we are human beings and as humans we need to socialize with others. It is a basic function that we have; we do not usually like to be alone. As children we are taught to play nicely with others, to share, and to work together. With these common lessons that are taught to us as children it is no wonder why we want to desperately belong to a group or to fit in. We see it all the time in high school and college, how kids want to be apart of “the in crowd” and popular. Many of them will go to extreme measures to do so, even permanently marking their bodies.
Many sport teams, braches of the military, and gangs have tattoos that are symbols of belonging. Many of these groups do not make it a requirement to be tattooed or to last receive a tattoo in order to get in but that does not stop people from feeling pressure to get a tattoo to show how tough they are or to show their loyalty. Because a tattoo is so permanent, when you get one you show that you are permanently apart of this group and chose not to leave it.
Other people get tattoos for groups because they feel that they need to for protection. In gangs[12] if you flash a gang sign or a gang tattoo then most people will not hurt you because of fear of having whole gangs come after them. On the other side if you do not get a tattoo for a gang, many times this is telling the gang that you are not loyal and they will come after you themselves.
To sum up these theories, people get tattoos for different reasons. It is on case to case bases. But each theory is similar in the end, for it is up to an individual person to get a tattoo. Whether a person gets a tattoo for rebellious reason, to fit in with others, for control, or even for self-expression, it is all the same. I am writing this paper and doing this study in hopes of not only discovering the reasons behind tattooing but I also wanted to show society that not all tattoos are negative. I hope with this research that many negative thoughts and feelings toward tattoos can stop so people can continue living their lives and promote a more accepting society.


Bibliography
- Atkinson, Michael. Tattooed: The Sociogenesis of a body Art (University of Toronto Press)
- Caplan, Jane. Written on the body: The tattoo in European and American History (Princeton University Press, Princeton, New Jersey)
- Demello, Margo. Bodies of Inscription: A cultural history of the modern tattoo community (Duke University press, Durham & London 200)
- Green, Terisa. The Tattoo Encyclopedia: A Guide to choosing your tattoo (A Fireside book Published by Simon & Schuster New York, Toronto, Sydney)
- Kuwahara, Makiko. Tattoo: An anthropology (Berg Oxford-New York)
- Miller, Jean-Chris. The Body art book: A complete illustration guide to tattoos, piercing, and other body modification (Berkley Books, New York)
- Mifflin, Margot. Bodies of Subversion: A secret History of Women and tattoo. New York City: Juno Books, 2007.
- Pitts, Victoria. In the Flesh: the Cultural Politics of Body Modification (Palgrave Macmillan)
- Armstrong, Myrna. "Vital Signs: When the Art is on a Body Part." The American Journal Of Nursing 99, no. 6 (1999)
- Braunberger, Christine. "Revolting Bodies: The Monster Beauty of Tattooed Women." NWSA 12, no. 2
- Carroll, Lynne, and Roxanne Anderson. "Body Piercing, Tattooing, Self-esteem, and body investment in adolescent girls." (n.d.)
- Demello, Margo. "Not just for bikers anymore: Popular representations of American tattooing."
- Demello, Margo. "The Convict Body: Tattooing Among Male American Prisoners." Anthropology Today 9, no. 6 (1993)
- Jones, C.P. "Stigma: tattooing and branding in Greco-roman antiquity." the journal of roman studies 77 (1987)

- Kang, Mailiann, and Katherine Jones. "Why do People get tattoos?"
- Reed, Carrie. "Tattoo in Early China." Journal of the American Oriental Society 20 (n.d.)
- Wicks, Robert. "Can Tattooed faces be Beautiful? Limits on the Restriction of forms in Dependent Beauty." The journal of Aesthetics and Art Criticism 57, no. 3 (1999)
- Wu, Corinna. "Disappearing Ink: Tattoo Technology for Modern Impermanence." Science News 172, no. 15
[1] Caplan, Jane. Written on the body, pgs. 17-45
[2] Reed Carrie. Tattoo in Early China
[3] Jones, C.P. Stigma: tattooing and branding in Greco-roman antiquity
[4] Demello, Margo. "Not just for bikers anymore: Popular representations of American tattooing."
[5] Carroll, Lynne, and Roxanne Anderson. "Body Piercing, Tattooing, Self-esteem, and body investment in adolescent girls.
[6] Braunberger, Christine. "Revolting Bodies: The Monster Beauty of Tattooed Women
[7] Demello, Margo. Bodies of Inscription: A cultural history of the modern tattoo community
[8] Green, Terisa. The Tattoo Encyclopedia: A Guide to choosing your tattoo
[9] Mifflin, Margot. Bodies of Subversion: A secret History of Women and tattoo.
[10] Wicks, Robert. "Can Tattooed faces be Beautiful: Limits on the Restriction of forms in Dependent Beauty"
[11] Wu, Corinna. "Disappearing Ink: Tattoo Technology for Modern Impermanence."
[12] Demello, Margo. "The Convict Body: Tattooing Among Male American Prisoners."

28 January 2009

John Updike's "The Spirit of the Game" and American National Mythologies

The United States Golf Association has made John Updike's 1994 essay, "The Spirit of the Game," available on its web site as part of its tribute to the recently-deceased author. If you want a pocket guide to classic themes on American identity and a brilliant example of a great writer yoking a sport to American national mythologies, check it out. It reminds me of the great post-W.W. II American cultural critics who emphasized America's newness, grounding in Puritan, transcendental, and romantic ideals, connection to nature, and valuing of freedom, not to mention earlier studies based on the model of identifying the "national character." How does the essay stand the test of time for you?